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New limited edition prints from Gerry's latest landscape exhibition (click the image to enlarge): |
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Stonaig This is the Shepard's hut (know as a bothy), now used as overnight shelter by those crossing Rannoch Moor in their part of the Ben Nevis – Glencoe region. It's late October towards the end of The Rut and the birches haveturned deep golden. Paper print size 20" x 13.5"
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South Caradon Mine Looking west at sunset past the ruins of Holman's engine house which stands over the center of Kitto's lode. The lode which also runs east – west under the south side of Caradon Hill was the richest copper mine in East Cornwall in it's hayday 150 years ago. Paper print size 20" x 13.5"
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Above the Fowey Estuary and Readymoney cove Sheep graze in the March sunshine on the rough pastures above the cliffs where the Fowey meets the sea. The coast path runs along the edge of this field and runs on south (to the right) to Gribbin Head a mile or two on. Paper print size 20" x 13.5"
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On Craddock Moor, January Bullocks stand trying to find warmth in the weak, mid-morning winter sun. Snow lies around the old stack of Craddock Moor mine, a half-mile west of Minions. Paper print size 20" x 13.5"
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On St Cleer Common Wild ponies graze St Cleer common on a hazy June day. Paper print size 20" x 13.5" |
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October Shadows Brilliant shafts of October sunshine break through the autumn canopy of beeches near Rosecraddoc, while a group of ducks come up the lane for a splash in the puddles by the road. Paper print size 20" x 13.5" |
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Phoenix Mine The Prince of Wales engine house at Phoenix Mine in Minions was completed in 1909. It was the last copper mine built on Caradon Hill. It’s now a ruin and the track leading to the mine buildings and the houses below was originally a railway line to take away the ore. Here sheep find shade on a bright September morning with the berries full-red on the hawthorn trees. Paper print size 20" x 13.5" |
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Wheal Jenkin This is one of the early copper mines on the north side of Caradon Hill. Here we look east towards Kit Hill & Dartmoor and see the ruins silhouetted against the rising sun on the February morning. Paper print size 20" x 13.5" |
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In the Dark Woods Paper print size 20" x 13.5" |
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September Paper print size 20" x 13.5" |
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Sunrise, Sunset Paper print size 20" x 13.5" |
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Godrevy Rocks Standing on the rocks around Godrevy Point a westerly gale blows hard across St. Ives Bay |
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The Knavocks These are the cliffs looking towards Godrevy point & the lighthouse at the eastern end of St.Ives Bay. Straight ahead & far away on the skyline is the town of St.Ives itself. The Atlantic Ocean rounds the base of the cliffs & every few years another few thousands of tons of land slip into the sea below. Many of the inaccessible beaches beneath these cliffs fill with seals basking in the spring sunshine. A small herd of wild shetland ponies lives year round on these cliffs & heathland between Hell's Mouth a mile behind and Gwithian, a mile ahead & around the end of Godrevy point. Available as canvas print only
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Trelaske Woods In Spring the woods fill with bluebells, their scent drifting on the air under the canopy of fresh green foliage, rustling in the breeze & the May sunshine. Edition size: 95 |
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In the Derbyshire Hills I painted this after visits to the Peak District. In Victorian times wealthy mill owners bought large tracts of the Derbyshire hills & built big houses and walled gardens with echoes of classical architecture. Now lie in ruins, taken over by the beech trees, tall soft grasses, & rhododendron thickets originally planted to embroider the old drives from the lodges to the big home. This is such a landscape of broken walls, beech woods & an overgrown drive above the Goyt Valley, reclaimed by nature. Edition size: 95 |
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Back Lane to Newbridge The cluster of barns & cottages viewed down the lane as the hedgerow flowers and the fresh minted green leaves appear in early May. Edition size: 95 |
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Fresh Pastures Sheep are being moved from the old orchard field across the yard to new pasture on a misty & be-dewed early November morning. The last leaves cling to hedgerow trees silhouetted against the rising hills of Bodmin Moor in the distance. Edition size: 95 |
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December, Silver & Gold As I walk past Kego's meadow on the way to my studio I always look over the gate. Sometimes, in certain lights, especially in the crisp frost or snow of midwinter it has a magical quality. Edition size: 95
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Towards Pendeen, The old upper levant Mine Around 100 years ago this was a working mine which tunnelled out under the sea bed in search of tin & other metals. Now the old stacks rise from the ruins of the engine houses with the far-off view of Pendeen Lighthouse on the cliffs to the east. Between upper Levant & Pendeen, just out of view lies Geevor, a mine that worked up until relatively recently. Edition size: 95 |
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Fine art Cornwall |
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Click the images |
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art Cornwall |
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Edition size: 95 |
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On an evening in May Edition size: 95 |
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The smooth trunks of tall beeches support the roof canopy of mint-green leaves over the May woodland, like the columns of some ancient temple. Edition size: 95
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Sheep come looking for hay in the fading light of a snowbound landscape in deep midwinter. Edition size: 95 |
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Geese appear at the farm gate on an October morning to warn off any intruders. Edition size: 95 |
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Red Deer leave the cover of beech woods and venture on to the open fields hoping to find a few tender shoots pushing up through the snow covered ploughland. Edition size: 95 |
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The River Inny carves its way through the alluvial clay of flood meadows on the low land of Kingscombe farm. Canada geese make occasional forays to these sorts of valleys from their more regular haunts of lakes and reservoirs.
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Hens scratch about in June sunshine by the shed at the end of the farmyard. Edition size: 95
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A group of horses wanders across a wide landscape of long summer grass in mid France. In the heat of the day the sky is turning ominously dark before the approaching storm. Edition size: 95 |
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size: 95 Fine art Cornwall |
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size: 95 Fine art Cornwall |
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size: 95 Fine art Cornwall |
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Below Treverbyn Not far below Treverbyn Bridge is a corner pool – one of the best salmon pools in Cornwall. Continuing downstream, with the depths of the pool on the left, the river runs shallower until it rounds the bend and comes to the weir pool where the take-off runs to the mill a mile further on. Occasional wild daffodils and wood anemones grow in the woods which line the banks for several miles yet. Edition size - 95 Paper image size - 508mm x 340mm / 14" x 20" Frame size - 660mm x 515mm / 26" x 20" Mounted £110, plus £10 P & P (UK) |
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Towards Castick Woods The early morning sun brings the autumn colours to brilliant life in
the old stone-walled fields below the moor. A valley mist hangs over
the river as it runs through the oak and beech woods below. |
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Moments of reflection For many years I traveled to East Anglia in December. Beside the wide, slow waters of the Deben, Orwell and Stour, it was easy to find time for contemplation in the peace of a winter’s evening – the only sounds the quiet lapping of water and the call of a curlew or oyster catcher. Edition size - 95Paper image size - 508mm x 340mm / 14" x 20" Frame size - 660mm x 515mm / 26" x 20" Mounted £110, plus £10 P & P (UK) |
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Edition numbers are fixed and include prints on both paper and canvas, the combined total not exceeding the stated edition size. All prints are created under Gerry's supervision jointly with the printer. Quality is paramount to him, which is why he insists on using fully tested and approved materials. Full
pigment archival inks Blue
wool tested (industry lightfast test) |
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